vhu17u10 lavede en statusopdatering 2 uger siden
http://www.midyellowbag.com/Bags of style: how the backpack became a fashion essential
They used to be carried by the slightly awkward-looking kids in the school playground or hikers and were much more likely to be sported by men than women. But now, go to any high street, office or packed rush-hour bus and the humble backpack bag is everywhere.
Fashion searches for rucksacks are up 37% month-on-month, according to global fashion search platform Lyst. In the UK the annual amount spent on backpacks has risen every year since 2014 when, according to global market research company Euromonitor International, the retail spend was £112m – it forecasts the 2019 figure will be £219.5m.
“There has been an enormous change in attitudes towards day packs,” says Ralph White, UK managing director of the Swedish rucksack brand Fjällräven.
According to Domitille Parent, product director at Eastpak, a brand that has been making rucksacks for over 40 years, an increasing number of commute backpack buyers are women: nearly 60% of online sales in the UK are made by women, and that number has been rising year-on-year. In the US, according to the market research firm NPD, sales of what they label women’s backpacks are up by 28% in the past year – with New York, Los Angeles and San Francisco the top three growth regions – while sales of men’s backpacks are down.
Of course, it should be no surprise that women are using a style of bag that is practical and – increasingly – stylish, too. But it has taken something of a shift in attitudes for the backpack to find mainstream traction in workplaces – and gender parity. As with many things, Miuccia Prada was a pioneer: when she released a nylon rucksack, made from military parachute fabric, in 1984, it was considered radical. All the other bags around were, she said in a recent interview with Vogue magazine, “so formal, so lady, so traditional”.
In the past, style blogger and backpack-wearer Susie Lau, aka Susie Bubble, has cited the Phoebe Philo effect. As former designer at Celine, Philo led the charge for what many brand “ugly” fashion, from Birkenstocks and clogs to backpacks.
Skipping forward to 2016, Burberry’s monogrammed backpacks were the elevated version that convinced the likes of Cara Delevingne to embrace the look. At the Tribeca film festival last year Sarah Jessica Parker, the woman to thank for sparking many an impractical tiny handbag trend, was spotted wearing a rucksack on the red carpet. On the Prada men’s AW19 catwalk they were worn by Gigi Hadid and Kaia Gerber, and Chanel’s 2020 Cruise show featured a outdoor backpack.
With many high-fashion brands, from Gucci to Coach, making rucksacks; the mid range of the market seeing a proliferation of more sophisticated designs – from the likes of Herschel to Dr Martens – and more than 400 styles offered on Asos, backpacks have come a long way from the days of Power Rangers or My Little Pony bags.
The rucksack’s fashion credentials have been bolstered by the rise of gorpcore – a neologism coined in 2017 from the acronym “gorp”, which stands for “granola, oats, raisins, peanuts”, aka trail mix, and encompasses all manner of camping attire. The ongoing popularity of luxury sportswear has helped make rucksacks less back-of-the-bus and more chia seeds and balasana. With the rise of the urban hiker look last year, the field trip look went high-fashion. “The outdoors as a whole has definitely got more fashionable,” says White. Plus it’s come into cities.
With some of the most popular brands hailing from Sweden, they play into our era’s love of all things Scandi. As White explains: “There has definitely been a rise in the popularity of Scandinavian culture – from hygge to fika. Fjällräven takes a very Scandinavian approach to its product design.” Its now-iconic Kånken, was introduced as a bag for Swedish children in 1978.
The sheer practicality of the rucksack is a plus point, too. Backpacks are “easy to wear, hands-free, fuss-free and comfy,” says Georgie Tym, a lecturer at Cordwainers, the shoes and accessories brand of London College of Fashion. Function appears to be winning over any lingering competition from archaic, gendered double standards. If Danielle Drake, PR manager at Sandqvist, a high-end Swedish bag brand, is to be believed, the backpack is to bags what flats are to high heels. “The past pressure of having to cram all of your gear into a shoulder bag just for the sake of dated perceptions on women’s workplace attire has no place in today’s world.”
As we approach the end of the year in Singapore, we have a small favour to ask. We’d like to thank you for putting your trust in our journalism this year – and invite you to join the million-plus people in 180 countries who have recently taken the step to support us financially, keeping us open to all, and fiercely independent.
In 2021, this support sustained investigative work into offshore wealth, spyware, sexual harassment, labour abuse, environmental plunder, crony coronavirus contracts, and Big Tech.
The new year, like all new years, will hopefully herald a fresh sense of cautious optimism, and there is certainly much for us to focus on in 2022 – a volley of elections, myriad economic challenges, the next round in the struggle against the pandemic and a World Cup.
With no shareholders or billionaire owner, we can set our own agenda and provide trustworthy journalism that’s free from commercial and political influence, offering a counterweight to the spread of misinformation. When it’s never mattered more, we can investigate and challenge without fear or favour.
Unlike many other media organisations, Guardian journalism is available for everyone to read, regardless of what they can afford to pay. We do this because we believe in information equality. Greater numbers of people can keep track of global events, understand their impact on people and communities, and become inspired to take meaningful action.
If there were ever a time to join us, it is now. Every contribution, however big or small, powers our journalism and sustains our future. Support the Guardian from as little as $1 – it only takes a minute. If you can, please consider supporting us with a regular amount each month. Thank you.
Backpacks were once considered casual and suited only for travel or for students who needed to lug books by the kilos. It was a hard-working bag meant for the wearer’s comfort.
But as offices become more mobile with laptops and assorted gadgetry (chargers, tabs, power banks and mobile phones), a foldable backpack has become the goto workbag. Add to this the rise of a casual corporate culture, where athleisure is kosher at the workplace and sneakers are subbing in for high heels for women and dress shoes for men, and backpacks are strictly formal now.
Making and selling backpacks and travel bags — of burlap and vegan leather — is how Samriddh Burman, Karuna Parikh and Rewant Lokesh of Kolkata came together to start The Burlap People.
Parikh says each of them chose backpacks as their daily work or office bags and the backpacks came naturally to them.
Backpack loads of school students during school days have been suggested to range from 10% to as high as 25% of their body weight and may have a negative impact on their body. The aim of this review was to identify and review studies that have examined impacts of contemporary backpack loads on school children. Methods: A systematic search was conducted of the literature using key search terms. After relevant studies published in recent years were selected using strict inclusion and exclusion criteria, the studies were critically appraised and relevant data were extracted and tabulated prior to conducting a critical narrative synthesis of findings. Results: Twenty-one studies were included, ranging in methodological quality from poor to good (critical appraisal scores 22% to 77%). Students carried on average over 15% of their own body weight, which caused biomechanical and physiological adaptations that could increase musculoskeletal injury risk, fatigue, redness, swelling and discomfort. Conclusion: Considering the limited methodological quality and variations in foci across studies, further research is needed to elucidate: (1) the loads students carry around on a school day in their school backpacks and; (2) the biomechanical, physiological and physical effects of load carriage on students.
A review by Mackenzie et al.  in 2003 of drawstring backpack loads carried by school students during a school day identified that children were carrying as much as 30% to 40% of their body weight. This review, while acknowledging that no critical maximal load had been established (to address back pain), recommended around 10% of the child’s bodyweight as a maximum limit. The following year, a review by Brackley and Stevenson  stated that the majority of work considered the loads carried by children to be above recommended limits, likewise recommending a maximal load of between 10 to 15% of the child’s bodyweight. Since these reviews, more recent research has suggested that these loads are lighter and in some instances may be meeting this recommendation, with loads ranging from 10% [3,4,5,6] to 25% [7,8,9,10,11] of the school child’s bodyweight. However, this recent research, in agreement with the earlier reviews, also suggests that these loads have a negative impact (e.g., increased forward lean, pain, skin pressure) on children’s bodies .